Image Credit:
FIONA WATSON

Discover visual artists in the Blue Mountains. Painters, sculptors, printmakers, ceramicists and multidisciplinary artists. Commission work or connect via MTNS MADE.

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Interactive Art

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Street Art

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Installation Art

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Land Art

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Public Art

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Sound Art

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Textile Art

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Video Art

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Photomedia

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Sculpture

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Printmedia

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Painting

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Annabelle Solomon PhD

Annabelle Solomon PhD

Having lived in the BMs for over 30 years I draw inspiration from the beauty of the natural environment for my art practice, thus exploring a personal and social understanding of the way visual arts influence beliefs and actions. The motivation for my artwork is to revitalise this connection though art and viewer by evoking an understanding of connection with the natural world as immanent and interdependent. My art practice centres on a social ecology of consciousness that envisions a cultural story relevant to, and in continuity with this South Land of my birth - one which awakens and embodies an indigenous spirit that works with nature on its terms. Personalised 'story' art quilts are another aspect of my work, created in response to individual lived experiences and values, or to commemorate special moments or different stages of life. Examples can be viewed on my blogspot, describing the evolution of the creative processes involved as they were occurring. https://soulseasonsquilts.blogspot.com Often created as a series, each textile art wall-hanging is unique and uses a wide range of fabric types for collage and applique, using machine and hand stitching to sketch details and effects. My most recent exhibition was at Braemar House, the Hub upstairs Gallery: https://soulseasonsquilts.blogspot.com/2025/03/staying-alive-threads-in-time-braemar.html My PhD, completed in 2011, investigates the creative process as a means to re-imagine the lived experience of a sense of place, explored through the textile art quilt genre being used by other art quilters. https://drive.google.com/file/d/18UVo7EK5g_KJONiOi_NShYBVavMB8hkN/view?pli=1

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Nathan Sheens

Nathan Sheens

Nathan has worked within the entertainment industry for over 3 decades. Starting in film and television as a young actor. Television credits: Young Doctors, A Country Practice, Police Rescue, Bellamy, and the iconic drama series ‘Sons and Daughters’ for Grundy Channel 7 network. This led Nathan onto continued work in theatre at home in Australia & Internationally.  He is an original cast member of ‘Dein Perry's Tap Dogs’ He featured in the original cast of 'Shout' the musical Australian Tour starring ‘David Campbell’ He was a cast member of the first tour of ‘Mamma Mia’ at the Lyric Theatre Sydney Star Casino in the role of ‘EDDIE’ and also an original cast member of ‘Billy Elliot’ the musical. He was engaged to perform as the lead performer for the Australian Hit show ‘Dein Perry’s Steel City’ which played in Melbourne at the State theatre and New Yorks Radio City Music Hall. In the year 2000 Nathan was appointed as an assistant to Dein Perry for the opening of the Sydney 2000 Olympic Games choreographing over 1300 tap dances, and also performed with Kylie Minogue for the closing ceremony of the Olympics Games choreographed by William Forsythe. Whilst on tour in the USA and the UK Nathan had the honour of working with Steve Wonder for the Quincy Jones 25th Anniversary concert, performed at the Royal Variety Performance at Royal Albert Hall for his Royal Highness King Charles. Live performance for the Jerry Lewis Benefit Telethon Los Angeles , Opening of the Super Models Cafe New York City, The Ellen DeGeneres Show, Ru Paul Live, Good Morning Britain, Good Morning USA, The Tonight Show with Jay Leno, NBC Today, Live with Regis & Kathie Lee, The Just For Laughs Comedy Gala, and has performed at Londons Sadler's Wells Theatre, the Lyric theatre on the West End and in New York City - Union Square Theatre. Television appearances in Australia include: “Hey Hey” it’s Saturday, The Footy Show, Denton Live, The Midday Show, 60 minutes, Good Morning Australia Today show and Mornings with Kerry-Anne Kennerley. Nathan has also performed on numerous occasions at our own iconic Sydney Opera House, and in all of Australia's major national theatres. He has worked at Australia Zoo as a presenter and entertainer for the Erwin family, Australia's Wonderland, Warner Bros Movie World, Walt Disney World Tours in Australia & New Zealand and has worked for Royal Caribbean Cruise Lines and also aboard the QE2 as a guest artist.  Nathan has performed  within many corporate shows and launches throughout Australia and overseas as a male dancer, tap dancer and guest performer. Film credits: Bootmen and Happy Feet 2 In the year 2020, Nathan was appointed tap trainer for the 10-year anniversary tour of Billy Elliot, and for the past 15 years continues to work for ED5 International in Sydney as a talent scout and teacher for their Full Time Diploma course. He has a wealth of experience within the entertainment industry with a career expanding over 35years.

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SIRC_UIT

SIRC_UIT

SIRC_UIT is the joint practice of Katrina Noorbergen and Jan M. Walter. Operating as a Creative Studio working at the intersections of art, technology, performance and architecture, SIRC_UIT collaborates with artists, musicians, curators and technologists across digital, analog and experimental art forms to explore and redefine our interactions with technology, bridging the gap between traditional art forms and the digital world. Katrina Noorbergen is a cultural producer, performance curator, and leading arts worker based in Western Sydney, on Dharug and Gundungurra Land. After a decade-long international career as a touring musician and published songwriter, Katrina returned to Australia in 2015. She has since worked in pivotal roles at Carriageworks, the Blue Mountains Cultural Centre and Create NSW. Katrina Noorbergen is the Program Curator for SIRC_UIT, championing experimental performance practices in unconventional spaces, uplifting emerging artists and fostering creative collaboration on the fringes. Jan M. Walter is a French/German audio-visual and installation artist based in Western Sydney, on Dharug and Gundungurra Land, and the Founder of SIRC_UIT. In his practice, he designs and constructs temporary architecture using lighting elements built from the ground up. Mixed with layers of found and reject materials as well as decommissioned technological infrastructure he creates large-scale immersive installations that are driven by custom hardware and software. His work is influenced by humanity's descent into technological abundance, the obsolescence of its own productivity and the absurdity of Moore's Law and what it leaves behind.. SIRC_UIT has and continues to collaborate with a multitude of artists and organisations to deliver boundary-pushing independent programming across Australia and beyond.

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Kellie Clarke

Kellie Clarke

Kellie Clarke is the founder and formulator behind Suet Skincare, a handcrafted, non-toxic skincare range based in the Blue Mountains, NSW. Drawing on her background in holistic living and functional nutrition, Kellie creates small-batch products that honour the earth, the body, and the spirit, crafted with intention, reverence, and care. Originally from Victoria, Kellie relocated to the Blue Mountains to live in deeper alignment with nature and her values. Her journey into skincare began as a personal commitment to a toxin-free lifestyle, experimenting with natural, nutrient-rich ingredients to create products that were not only effective but deeply healing. This passion evolved into Suet Skincare, a brand grounded in sustainability, integrity, and the power of ritual. At the heart of Suet Skincare is golden tallow sourced from a regenerative, organic farm in Hartley, NSW. Blended with shea butter, cocoa butter, and pure essential oils, each product is rich in vitamins A, D, E, and K, designed to hydrate, restore, and uplift. Every balm, soap, and serum is infused with frequencies of love and connection, transforming daily skincare into a soulful practice. Kellie continues to expand her knowledge through ongoing study in functional nutrition and holistic health, ensuring that Suet Skincare remains rooted in wellness science and spiritual intention. Her products reflect a devotion to conscious living and a belief in skincare as a pathway to vitality, balance, and beauty, inside and out.

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Katya Petetskaya

Katya Petetskaya

I am an interdisciplinary artist working across performance and visual art based in the Blue Mountains, Australia. Growing up in the former Soviet Union during the turbulent 1990s shaped my critical approach to narratives about the status quo. My work explores alternative forms of knowledge and modes of existence. Through performance and visual art, I examine expanded ways of perceiving and engaging with the world and the environment. My approach to performance art is strongly influenced by my visual arts background and my research in more-than-human choreographies. I work with objects as collaborators and my body as both medium and tool, generating 'living images' that transform the known into the unknown. Everyday objects, often overlooked, become active participants, revealing their own performative agency. This expanded practice seeks to explore ecological entanglements and non-human intelligence. I am currently undertaking a PhD in performance art and interdisciplinary practice at Macquarie University, Sydney, where my research focuses on more-than-human choreographies and extended mind theory. I investigate how human and non-human entities co-create within performative environments, expanding notions of agency and collaboration. My current artistic research includes developing performances in collaboration with weaver ants, working alongside Macquarie University researchers studying natural complex systems. These investigations have deepened my inquiry into interspecies co-creation and ecological intelligence in performance-making.

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Blue Mountains Musical Society

Blue Mountains Musical Society

Blue Mountains Musical Society was founded by music lovers Heather Gwilliam, Jenny Edwards, Barry McNicol, and pianist Phyllis Huthnance, who all agreed that a musical society would be just the place for stage folk and musos alike to get together and produce good music and lasting friendships. A public meeting was called and with an enthusiastic group of 45 people the very first BMMS production of Trial by Jury at Springwood Uniting Church was in full swing. For just $3 a ticket the audience packed into the church hall. So positive was the response that members decided to go full steam ahead and form a committee. This all happened in 1981! Not that long ago really, when one considers how far BMMS has come since those early days. Since 1981 BMMS has been rehearsing and proudly presenting operetta, musical comedy, concerts and youth programs at the Springwood Civic Centre. In 2012, BMMS performed their last musical in the centre before it closed for renovations, allowing BMMS the opportunity to travel to new audiences at new venues, performing Sweeney Todd in 2013 at the Q Theatre, Monty Python’s Spamalot at the EVAN Theatre Penrith Panthers in June 2014, CATS at The Lighthouse Theatre, Orchard Hills in November 2014 and back for one last show at EVAN Theatre with The Who’s Tommy in May 2015. We returned to the Blue Mountains Theatre and Community Hub, previously known as the Springwood Civic Centre in late 2015 with The Phantom of the Opera. In 2025, BMMS will be staging a new production of the Broadway smash hit, Come From Away, in May, followed by Legally Blonde in October.

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Jodie McLeod

Jodie McLeod

Jodie McLeod is a writer and award-winning children's author/publisher at Wollemi Press. Wollemi Press is an independent children’s publishing imprint based in the Blue Mountains, Australia, and was established by Jodie in 2022 as the umbrella imprint for her three children's books, all illustrated by local artist Eloise Short: *** The Black Cockatoo With One Feather Blue (2024 CBCA Notable Picture Book, 2024 Whitley Award – Best Children’s Book, RZSNSW, Shortlisted REAL Award: Picture Book [YABBA/KOALA/CROC Awards] 2024) *** Leonard the Lyrebird (2018) (Whitley Award – Best Children’s Book 2019, RZSNSW; Shortlisted REAL Award: Picture Book [YABBA/KOALA/CROC Awards] 2019), and its follow-up: *** Lilah the Lyrebird (2022) The MO of Wollemi Press is to publish 'stories worth sharing' – stories that, because of whatever it is that makes them special – be it their sense of fun, their characters or their beautiful message – simply refuse to be untold. Jodie is an experienced speaker at schools and festivals, whether for author visits or creative writing workshops, and works regularly with writing organisation Westwords. Along with her work as a children's author Jodie also offers copywriting services, having worked with a big list of agencies and clients. She's also worked for many years in magazine publishing, editing and feature writing, with an Honours degree in Creative Writing (UOW). When she's not writing, you might find Jodie running the trails of the Blue Mountains where she lives with her husband and two daughters.

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Renata Commisso

Renata Commisso

Renata Commisso is a multidisciplinary dancer, choreographer, movement director, and community arts facilitator based in Little Hartley. With over 12 years of international experience, she has performed with esteemed companies including Les Grands Ballets Canadiens (Montreal), Opéra de Lyon (France) and Victor Ullate Ballet (Madrid), before returning to Australia in 2018 to establish her independent practice. Renata has collaborated with leading organisations and artists such as the National Gallery of Australia, Opera Australia, Form Dance, Marc Brew, Sue Healey, Living Room Theatre, and Julie-Anne Long. Her choreographic works—including YOUWHO? and Motherhood—have been featured at Sydney Fringe and integrated into the Western Sydney University curriculum. She has also worked as an inclusive choreographer and movement director across stage and screen, with credits including Look the Part (Bus Stop Films) and Fluffy (Sydney Festival 2022). Her current interdisciplinary practice explores creating dance and theatre works for and with young children, as well as intergenerational experiences that invite connection through shared movement and storytelling. Here has been supported through residencies with ArtsOutWest, Lithgow City Council, InnerWest Council, Canada Bay Council, Critical Path, Ausdance NSW, DirtyFeet, and Annandale Creative Arts Centre. Committed to inclusive and community-engaged practice, Renata facilitates creative dance and theatre programs for people of all ages and abilities through Milk Crate Theatre, the Centre for Creativity at the Sydney Opera House, Dance for Parkinson’s Australia, DirtyFeet (The Right Foot),and Sydney Dance Company. In 2021, she founded Move and Groove, a creative dance initiative that nurtures connection, creativity, and belonging. As both an artist and educator, Renata is passionate about the transformative power of movement and storytelling, and is currently available for performing, choreography, movement direction, and multidisciplinary collaboration. She is also very keen to get everyone dancing and feeling good in their bodies and currently facilitates local movement and dance classes you can join. (Check the website or Get in touch!)

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Jacqueline  Forster

Jacqueline Forster

Jacqueline Forster is a journalist, writer, and editor working on the unceded Country of the Dharug and Gundungurra peoples in the Blue Mountains, NSW. With over two decades of experience contributing to leading lifestyle publications in Australia and Aotearoa/New Zealand, Jacqueline’s work spans journalism, copywriting, creative writing, publishing, and marketing, with a strong focus on sustainability, slow living, and community connection. She is a long-standing contributor, and former staff member, of ABC Organic Gardener magazine, where she writes extensively on edible gardening, regenerative agriculture, and grassroots food systems. Her work has appeared in PIP, Shepherdess (NZ), ABC Gardening Australia, Australian Country Style, WellBeing, Slow, The Sydney Morning Herald, and local publications she co-founded - Blue Mountains Love and Harvest Blue Mountains. Bucket list interviews include Alone Australia winner Gina Chick, author John Marsden, and Kiwi culinary queen Annabelle Langbein. She once wrote winning coverlines for the ABC’s iconic annual Cricket magazine. Outside of publishing, Jacqueline coordinated the Blue Mountains Edible Garden Trail from 2019 – 2025, is a board member of social enterprise, Farm It Forward, and volunteers at local environmental and cultural events. Jacqueline is available for freelance writing commissions, editorial projects, and collaborations that align with her values. Whether crafting a feature article, creating engaging coverlines and ledes or attention grabbing media releases, Jacqueline brings clarity and strong editorial instinct to every project.

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Missy Gilbert

Missy Gilbert

UnitePlayPerform is an Australian arts health organisation enhancing wellbeing through creativity in a globally connected world. Founded by Australian contemporary artist and experience designer ØFFËRÎNGŠ, UnitePlayPerform is a transformational therapeutic methodology incorporating play, making, co-creation and community. The master method is delivered via educational Playshops, retreats, digital experiences, performance works, exhibitions and therapeutic products that invite self exploration and leadership. “UnitePlayPerform was developed by Artist ØFFËRÎNGŠ as a new system to nurture and enhance the everyday lives of humans in such potent and challenging times. The concept was born unexpectedly within the initial stages of the COVID-19 pandemic in 2020 as a response to the isolation and segregation of our communities. UnitePlayPerform started to realize the positive impact that a practice like this could have on individuals and the lives they may affect around them. The ripple effect could be global, and the potential could be life enhancing as a legacy for generations to come. Post incubation phase, now in 2022, UPP has expanded to become a multi-disciplinary arts health organisation supporting the ongoing delivery of all that we do. A crucial element of the journey has been the assembly of a small team of world-class thought leaders, innovators, neuro-psychology theorists, cultural strategists and iconic play design experts who have collaborated to bring this vision to life. UPP aims to facilitate new pathways born at the intersection of art, health, science and wellbeing.

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Mareike Gronwald

Mareike Gronwald

Dr Mareike Gronwald is a German-born emerging artist, arts worker and sociologist living on unceded Gundungurra and Dharug Country in the Blue Mountains. With a PhD in Social Sciences from the University of Mannheim (2013) and experience as a researcher and lecturer in the field of social policy analysis, her academic background informs her art practice and her deep interest in how societies function, change and succeed. Mareike's art practice is rooted in transformation—constructing, deconstructing, and reconstructing visual maps of what it means to be a woman and a mother. It is a creative reflection on her ongoing engagement with societal and political questions—particularly the role, recognition, and perception of women in society and how these experiences intersect with emotional and spiritual connections to the natural world. Working primarily with acrylic on canvas, Mareike explores various degrees of abstraction and the intuitive play with colour, form and mark making. This process gives rise to shapes, lines, and symbols that float between geometric precision and organic irregularity, alluding to the entangled realms of eco-feminism, sociology, and the hidden rituals of m/othering and women’s work across the boundaries of bodies and statehood. Influenced by the emotional intensity of German Expressionism, especially the Blauer Reiter group, the spiritual abstraction of Hilma af Klint, and the principles of geometric abstraction, Mareike's work attempts to hold space for intuition and intellect, for the fluid and the structured—an ongoing negotiation between internal worlds and external systems. Her abstract compositions often point toward the veiled, unseen dimensions of mothering journeys and the labour of care, often rendered invisible in dominant narratives.

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Chandu Bickford

Chandu Bickford

For more than 20 years Chandu Bickford has worked at the intersection of creativity, leadership & business, mentoring creative professionals & practitioners to gain clarity, cut through complexity & build meaningful, sustainable work. A nationally accredited business & leadership educator & trainer, her approach blends intellect, emotional intelligence & intuition, helping people lead & create with confidence & discernment. Born & raised in the Blue Mountains, Chandu trained as a nurse while also studying & practicing art, & was often found painting impressionist landscapes on local cliff tops. In her mid-twenties she set off on a seven-month overseas adventure & didn’t return home for twelve years. Much of that time was spent living in a remote village in Tanzania, where she founded a small fair-trade enterprise connecting East African artisans with Australian markets. Working with local village women, deepened her appreciation for creativity, culture & the courage it takes to build a livelihood from creative work. Today, through her award-winning programs, Chandu supports artists, practitioners & creative professionals who want to bring their ideas & talents more fully into the world. Having spent decades straddling both the creative & business worlds, she understands firsthand the challenges of turning passion into sustainable work. Deeply connected to the Blue Mountains creative community, Chandu is passionate about supporting local artists and practitioners to develop their ideas, grow their confidence & build meaningful creative businesses. Chandu is an avid writer & poet. She has won sevral local writing prizes & has been published in several anthologies. She-authored The Business SisterHood. Through mentoring, teaching & speaking, she supports you to step forward on your creative path, clarify your talents, ideas & offerings, make your passion your profession & extend your creative & business offerings. Book a complimentary conversation to learn more.

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The Blue Mountains has long attracted and nurtured visual artists drawn to its dramatic landscapes, shifting light and close-knit creative community. Painters, sculptors, printmakers, textile artists, installation artists, public artists and multidisciplinary practitioners all make their home here, producing work that ranges from intimate studies of mountain life to ambitious large-scale installations.

Whether you are looking to commission an original artwork, purchase directly from an artist, or collaborate on a public or commercial project, the MTNS MADE Visual Arts directory connects you with established and emerging artists working across the mountains from Springwood to Lithgow.

How do I commission an artwork from a Blue Mountains artist?

Browse the MTNS MADE Visual Arts directory to find artists whose work resonates with you, then contact them directly through their profile. Most artists are open to commissions — whether you are seeking a painting, sculpture, limited-edition print or textile work.

Can I buy artwork directly from Blue Mountains artists?

Yes. Many Blue Mountains artists sell work directly from their studios or through their own online shops. Buying direct means the full sale price goes to the artist. Browse painters, printmakers, sculptors and more in the directory.

What visual art disciplines are represented in the Blue Mountains?

The Blue Mountains has painters, sculptors, printmakers, textile artists, installation artists, public artists, photomedia artists and practitioners working across video, sound and interdisciplinary forms.

How do I find an artist for a public art project?

Browse the Public Art category in the MTNS MADE Visual Arts directory to find artists experienced in public commissions, murals and large-scale installation. Many Blue Mountains artists have completed council and community commissions across the region.

ACKNOWLEDGMENT OF NGURRA

The City of the Blue Mountains is located within the Ngurra (Country) of the Dharug and Gundungurra peoples. MTNS MADE recognises that Dharug and Gundungurra Traditional Owners have a continuous and deep connection to their Country and that this is of great cultural significance to Aboriginal people, both locally and in the region. For Dharug and Gundungurra People, Ngurra takes in everything within the physical, cultural and spiritual landscape – landforms, waters, air, trees, rocks, plants, animals, foods, medicines, minerals, stories and special places. It includes cultural practice, kinship, knowledge, songs, stories and art, as well as spiritual beings, and people: past, present and future. Blue Mountains City Council pays respect to Elders past and present while recognising the strength, capacity and resilience of past and present Aboriginal and Torres Strait Islander people in the Blue Mountains region.

MTNS MADE is proudly delivered by Blue Mountains City Council