Image Credit:
Claudia Iacovella

Discover graphic designers, industrial designers, interior designers and creative studios based in the Blue Mountains. Find local design talent for your next project via the MTNS MADE directory.

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Lighting Design

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Signwriting

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Sound Design

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Game Design

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Murals

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Interior Design

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Architecture

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Furniture Design

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Industrial Design

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Landscape Design

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Fabric Design

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Fashion Design

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Website Design

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Illustration

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Graphic Design

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SIRC_UIT

SIRC_UIT

SIRC_UIT is the joint practice of Katrina Noorbergen and Jan M. Walter. Operating as a Creative Studio working at the intersections of art, technology, performance and architecture, SIRC_UIT collaborates with artists, musicians, curators and technologists across digital, analog and experimental art forms to explore and redefine our interactions with technology, bridging the gap between traditional art forms and the digital world. Katrina Noorbergen is a cultural producer, performance curator, and leading arts worker based in Western Sydney, on Dharug and Gundungurra Land. After a decade-long international career as a touring musician and published songwriter, Katrina returned to Australia in 2015. She has since worked in pivotal roles at Carriageworks, the Blue Mountains Cultural Centre and Create NSW. Katrina Noorbergen is the Program Curator for SIRC_UIT, championing experimental performance practices in unconventional spaces, uplifting emerging artists and fostering creative collaboration on the fringes. Jan M. Walter is a French/German audio-visual and installation artist based in Western Sydney, on Dharug and Gundungurra Land, and the Founder of SIRC_UIT. In his practice, he designs and constructs temporary architecture using lighting elements built from the ground up. Mixed with layers of found and reject materials as well as decommissioned technological infrastructure he creates large-scale immersive installations that are driven by custom hardware and software. His work is influenced by humanity's descent into technological abundance, the obsolescence of its own productivity and the absurdity of Moore's Law and what it leaves behind.. SIRC_UIT has and continues to collaborate with a multitude of artists and organisations to deliver boundary-pushing independent programming across Australia and beyond.

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Kellie Clarke

Kellie Clarke

Kellie Clarke is the founder and formulator behind Suet Skincare, a handcrafted, non-toxic skincare range based in the Blue Mountains, NSW. Drawing on her background in holistic living and functional nutrition, Kellie creates small-batch products that honour the earth, the body, and the spirit, crafted with intention, reverence, and care. Originally from Victoria, Kellie relocated to the Blue Mountains to live in deeper alignment with nature and her values. Her journey into skincare began as a personal commitment to a toxin-free lifestyle, experimenting with natural, nutrient-rich ingredients to create products that were not only effective but deeply healing. This passion evolved into Suet Skincare, a brand grounded in sustainability, integrity, and the power of ritual. At the heart of Suet Skincare is golden tallow sourced from a regenerative, organic farm in Hartley, NSW. Blended with shea butter, cocoa butter, and pure essential oils, each product is rich in vitamins A, D, E, and K, designed to hydrate, restore, and uplift. Every balm, soap, and serum is infused with frequencies of love and connection, transforming daily skincare into a soulful practice. Kellie continues to expand her knowledge through ongoing study in functional nutrition and holistic health, ensuring that Suet Skincare remains rooted in wellness science and spiritual intention. Her products reflect a devotion to conscious living and a belief in skincare as a pathway to vitality, balance, and beauty, inside and out.

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Margaret Davis

Margaret Davis

Margaret Davis Director, Playwright, Teaching Artist Margaret has had a long career in the performing arts, principally as a director and playwright but also as an actor, dancer, choreographer and lecturer. She was the first woman appointed as a director with an Australian mainstage theatre company (1981 Assistant Director of the State Theatre Company of South Australia) and also built the Riverina Theatre Company to professional touring status in the mid-1980s. She has directed more than 50 productions for leading theatres around Australia (including Griffin, Belvoir and Malthouse) and with her own company, Two Planks and a Passion. Her particular interest in physical theatre is reflected in her original works Isis Dreaming and Spilling Bodies and the gothic horror novel adaptation, The Monk. Other produced works as a playwright include Mad Before Midday and The Woman on the Twenty Dollar Note, for which she received an AWGIE nomination for best play for young audiences. In May 2017 Margaret created and directed a production of a new work about food and memory, Breaking Bread, which featured a team of 16 writers and actors from the Blue Mountains area and had a sell-out season. Margaret has staged a second new work, Eating Pomegranates, with a successful season at Wentworth Falls School of Arts in March 2019. The work, which celebrates bodies through all stages of life and death, was developed through a QLab residency at the Joan Sutherland Performing Arts Centre and the support of the Blue Mountains Cultural Trust. Since 2018 Margaret has been a resident artist with the Annual Youth Theatre Festival at the Joan Sutherland Performing Arts Centre, devising and directing physical theatre pieces with Year 11 students from Blue Mountains High Schools. In 2019 she was the Guest Director on the Originate project at the Joan, working with a group of emerging theatre artists and an astronomer from Western Sydney University to produce Push Me Away Pull Me Closer as a response to the concept of black holes and gravitational forces both in space and in human relationships. Margaret lectured in Contextual Studies for the BA in Performing Arts at AIM for ten years and also freelances as a dramaturge and script assessor (principally with the Australian Writers’ Guild.) During the Covid 19 crisis Margaret wrote The Angel Code as part of Q Theatre’s Short Message Service and an autobiographical piece for Come to Where I Am – Australia: a joint initiative of Critical Stages (AUS) and Paines Plough (U.K.) and also began developing a third Blue Mountains work, Lookout/Look Out! with the assistance of a Rapid Response grant from Blue Mountains City of the Arts Trust and further funding from CreateNSW. Her play Sanctuary was a finalist for the Silver Gull Award in 2021. In development: Lookout/Look Out! (collaboration as Writer/Director with Dharug Elder Chris Tobin, Performers Shane Porteous and Georgia Adamson, Dharug Visual artist/Storyteller Jessica Tobin, Video Artist Sean O'Keeffe and Dramaturg Danielle Maas. In development: full length play script Did You Tell Anyone Where You Were Going? Margaret also freelances as a Mentor, Script Assessor and Acting Coach.

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Katya Petetskaya

Katya Petetskaya

I am an interdisciplinary artist working across performance and visual art based in the Blue Mountains, Australia. Growing up in the former Soviet Union during the turbulent 1990s shaped my critical approach to narratives about the status quo. My work explores alternative forms of knowledge and modes of existence. Through performance and visual art, I examine expanded ways of perceiving and engaging with the world and the environment. My approach to performance art is strongly influenced by my visual arts background and my research in more-than-human choreographies. I work with objects as collaborators and my body as both medium and tool, generating 'living images' that transform the known into the unknown. Everyday objects, often overlooked, become active participants, revealing their own performative agency. This expanded practice seeks to explore ecological entanglements and non-human intelligence. I am currently undertaking a PhD in performance art and interdisciplinary practice at Macquarie University, Sydney, where my research focuses on more-than-human choreographies and extended mind theory. I investigate how human and non-human entities co-create within performative environments, expanding notions of agency and collaboration. My current artistic research includes developing performances in collaboration with weaver ants, working alongside Macquarie University researchers studying natural complex systems. These investigations have deepened my inquiry into interspecies co-creation and ecological intelligence in performance-making.

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Blue Mountains Musical Society

Blue Mountains Musical Society

Blue Mountains Musical Society was founded by music lovers Heather Gwilliam, Jenny Edwards, Barry McNicol, and pianist Phyllis Huthnance, who all agreed that a musical society would be just the place for stage folk and musos alike to get together and produce good music and lasting friendships. A public meeting was called and with an enthusiastic group of 45 people the very first BMMS production of Trial by Jury at Springwood Uniting Church was in full swing. For just $3 a ticket the audience packed into the church hall. So positive was the response that members decided to go full steam ahead and form a committee. This all happened in 1981! Not that long ago really, when one considers how far BMMS has come since those early days. Since 1981 BMMS has been rehearsing and proudly presenting operetta, musical comedy, concerts and youth programs at the Springwood Civic Centre. In 2012, BMMS performed their last musical in the centre before it closed for renovations, allowing BMMS the opportunity to travel to new audiences at new venues, performing Sweeney Todd in 2013 at the Q Theatre, Monty Python’s Spamalot at the EVAN Theatre Penrith Panthers in June 2014, CATS at The Lighthouse Theatre, Orchard Hills in November 2014 and back for one last show at EVAN Theatre with The Who’s Tommy in May 2015. We returned to the Blue Mountains Theatre and Community Hub, previously known as the Springwood Civic Centre in late 2015 with The Phantom of the Opera. In 2025, BMMS will be staging a new production of the Broadway smash hit, Come From Away, in May, followed by Legally Blonde in October.

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Jodie McLeod

Jodie McLeod

Jodie McLeod is a writer and award-winning children's author/publisher at Wollemi Press. Wollemi Press is an independent children’s publishing imprint based in the Blue Mountains, Australia, and was established by Jodie in 2022 as the umbrella imprint for her three children's books, all illustrated by local artist Eloise Short: *** The Black Cockatoo With One Feather Blue (2024 CBCA Notable Picture Book, 2024 Whitley Award – Best Children’s Book, RZSNSW, Shortlisted REAL Award: Picture Book [YABBA/KOALA/CROC Awards] 2024) *** Leonard the Lyrebird (2018) (Whitley Award – Best Children’s Book 2019, RZSNSW; Shortlisted REAL Award: Picture Book [YABBA/KOALA/CROC Awards] 2019), and its follow-up: *** Lilah the Lyrebird (2022) The MO of Wollemi Press is to publish 'stories worth sharing' – stories that, because of whatever it is that makes them special – be it their sense of fun, their characters or their beautiful message – simply refuse to be untold. Jodie is an experienced speaker at schools and festivals, whether for author visits or creative writing workshops, and works regularly with writing organisation Westwords. Along with her work as a children's author Jodie also offers copywriting services, having worked with a big list of agencies and clients. She's also worked for many years in magazine publishing, editing and feature writing, with an Honours degree in Creative Writing (UOW). When she's not writing, you might find Jodie running the trails of the Blue Mountains where she lives with her husband and two daughters.

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Renata Commisso

Renata Commisso

Renata Commisso is a multidisciplinary dancer, choreographer, movement director, and community arts facilitator based in Little Hartley. With over 12 years of international experience, she has performed with esteemed companies including Les Grands Ballets Canadiens (Montreal), Opéra de Lyon (France) and Victor Ullate Ballet (Madrid), before returning to Australia in 2018 to establish her independent practice. Renata has collaborated with leading organisations and artists such as the National Gallery of Australia, Opera Australia, Form Dance, Marc Brew, Sue Healey, Living Room Theatre, and Julie-Anne Long. Her choreographic works—including YOUWHO? and Motherhood—have been featured at Sydney Fringe and integrated into the Western Sydney University curriculum. She has also worked as an inclusive choreographer and movement director across stage and screen, with credits including Look the Part (Bus Stop Films) and Fluffy (Sydney Festival 2022). Her current interdisciplinary practice explores creating dance and theatre works for and with young children, as well as intergenerational experiences that invite connection through shared movement and storytelling. Here has been supported through residencies with ArtsOutWest, Lithgow City Council, InnerWest Council, Canada Bay Council, Critical Path, Ausdance NSW, DirtyFeet, and Annandale Creative Arts Centre. Committed to inclusive and community-engaged practice, Renata facilitates creative dance and theatre programs for people of all ages and abilities through Milk Crate Theatre, the Centre for Creativity at the Sydney Opera House, Dance for Parkinson’s Australia, DirtyFeet (The Right Foot),and Sydney Dance Company. In 2021, she founded Move and Groove, a creative dance initiative that nurtures connection, creativity, and belonging. As both an artist and educator, Renata is passionate about the transformative power of movement and storytelling, and is currently available for performing, choreography, movement direction, and multidisciplinary collaboration. She is also very keen to get everyone dancing and feeling good in their bodies and currently facilitates local movement and dance classes you can join. (Check the website or Get in touch!)

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Jacqueline  Forster

Jacqueline Forster

Jacqueline Forster is a journalist, writer, and editor working on the unceded Country of the Dharug and Gundungurra peoples in the Blue Mountains, NSW. With over two decades of experience contributing to leading lifestyle publications in Australia and Aotearoa/New Zealand, Jacqueline’s work spans journalism, copywriting, creative writing, publishing, and marketing, with a strong focus on sustainability, slow living, and community connection. She is a long-standing contributor, and former staff member, of ABC Organic Gardener magazine, where she writes extensively on edible gardening, regenerative agriculture, and grassroots food systems. Her work has appeared in PIP, Shepherdess (NZ), ABC Gardening Australia, Australian Country Style, WellBeing, Slow, The Sydney Morning Herald, and local publications she co-founded - Blue Mountains Love and Harvest Blue Mountains. Bucket list interviews include Alone Australia winner Gina Chick, author John Marsden, and Kiwi culinary queen Annabelle Langbein. She once wrote winning coverlines for the ABC’s iconic annual Cricket magazine. Outside of publishing, Jacqueline coordinated the Blue Mountains Edible Garden Trail from 2019 – 2025, is a board member of social enterprise, Farm It Forward, and volunteers at local environmental and cultural events. Jacqueline is available for freelance writing commissions, editorial projects, and collaborations that align with her values. Whether crafting a feature article, creating engaging coverlines and ledes or attention grabbing media releases, Jacqueline brings clarity and strong editorial instinct to every project.

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Missy Gilbert

Missy Gilbert

UnitePlayPerform is an Australian arts health organisation enhancing wellbeing through creativity in a globally connected world. Founded by Australian contemporary artist and experience designer ØFFËRÎNGŠ, UnitePlayPerform is a transformational therapeutic methodology incorporating play, making, co-creation and community. The master method is delivered via educational Playshops, retreats, digital experiences, performance works, exhibitions and therapeutic products that invite self exploration and leadership. “UnitePlayPerform was developed by Artist ØFFËRÎNGŠ as a new system to nurture and enhance the everyday lives of humans in such potent and challenging times. The concept was born unexpectedly within the initial stages of the COVID-19 pandemic in 2020 as a response to the isolation and segregation of our communities. UnitePlayPerform started to realize the positive impact that a practice like this could have on individuals and the lives they may affect around them. The ripple effect could be global, and the potential could be life enhancing as a legacy for generations to come. Post incubation phase, now in 2022, UPP has expanded to become a multi-disciplinary arts health organisation supporting the ongoing delivery of all that we do. A crucial element of the journey has been the assembly of a small team of world-class thought leaders, innovators, neuro-psychology theorists, cultural strategists and iconic play design experts who have collaborated to bring this vision to life. UPP aims to facilitate new pathways born at the intersection of art, health, science and wellbeing.

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Mareike Gronwald

Mareike Gronwald

Dr Mareike Gronwald is a German-born emerging artist, arts worker and sociologist living on unceded Gundungurra and Dharug Country in the Blue Mountains. With a PhD in Social Sciences from the University of Mannheim (2013) and experience as a researcher and lecturer in the field of social policy analysis, her academic background informs her art practice and her deep interest in how societies function, change and succeed. Mareike's art practice is rooted in transformation—constructing, deconstructing, and reconstructing visual maps of what it means to be a woman and a mother. It is a creative reflection on her ongoing engagement with societal and political questions—particularly the role, recognition, and perception of women in society and how these experiences intersect with emotional and spiritual connections to the natural world. Working primarily with acrylic on canvas, Mareike explores various degrees of abstraction and the intuitive play with colour, form and mark making. This process gives rise to shapes, lines, and symbols that float between geometric precision and organic irregularity, alluding to the entangled realms of eco-feminism, sociology, and the hidden rituals of m/othering and women’s work across the boundaries of bodies and statehood. Influenced by the emotional intensity of German Expressionism, especially the Blauer Reiter group, the spiritual abstraction of Hilma af Klint, and the principles of geometric abstraction, Mareike's work attempts to hold space for intuition and intellect, for the fluid and the structured—an ongoing negotiation between internal worlds and external systems. Her abstract compositions often point toward the veiled, unseen dimensions of mothering journeys and the labour of care, often rendered invisible in dominant narratives.

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Chandu Bickford

Chandu Bickford

For more than 20 years Chandu Bickford has worked at the intersection of creativity, leadership & business, mentoring creative professionals & practitioners to gain clarity, cut through complexity & build meaningful, sustainable work. A nationally accredited business & leadership educator & trainer, her approach blends intellect, emotional intelligence & intuition, helping people lead & create with confidence & discernment. Born & raised in the Blue Mountains, Chandu trained as a nurse while also studying & practicing art, & was often found painting impressionist landscapes on local cliff tops. In her mid-twenties she set off on a seven-month overseas adventure & didn’t return home for twelve years. Much of that time was spent living in a remote village in Tanzania, where she founded a small fair-trade enterprise connecting East African artisans with Australian markets. Working with local village women, deepened her appreciation for creativity, culture & the courage it takes to build a livelihood from creative work. Today, through her award-winning programs, Chandu supports artists, practitioners & creative professionals who want to bring their ideas & talents more fully into the world. Having spent decades straddling both the creative & business worlds, she understands firsthand the challenges of turning passion into sustainable work. Deeply connected to the Blue Mountains creative community, Chandu is passionate about supporting local artists and practitioners to develop their ideas, grow their confidence & build meaningful creative businesses. Chandu is an avid writer & poet. She has won sevral local writing prizes & has been published in several anthologies. She-authored The Business SisterHood. Through mentoring, teaching & speaking, she supports you to step forward on your creative path, clarify your talents, ideas & offerings, make your passion your profession & extend your creative & business offerings. Book a complimentary conversation to learn more.

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Lorraine Brownlee

Lorraine Brownlee

“I have been drawing for as long as I can remember. My father was a talented graphic designer in the film industry but it was my mother, a gifted amateur artist, who taught me to how to draw. Growing up near the sea at Clovelly, in the Eastern Suburbs of Sydney, my first love was the ocean and seashore. Although I studied art and design at school and University, my life took a very different direction but I never lost my desire to observe nature, be inspired by it and create unique designs from it. When I moved to the World Heritage listed Blue Mountains 25 years ago, I developed a great love for plants and flowers in all their intricate beauty. One of my favourite things is drawing the native plants which I see every day in the bush around my home. I do my best to observe nature and capture what I see in my initial pencil drawings. I then enhance the delicate, intricate shapes, lines and patterns to bring out their magic. By the time I come to the final pen drawings, I have turned natural form into pattern and each unique design seems to flow onto the paper, almost on its own. I then transfer my designs to my computer where I do all my colouring to create the final designs for my cards and art prints. My passion is to create unique, high quality, hand-drawn designs for you to enjoy.“ Lorraine Brownlee is Art Director and Editor of Auspress Marketing and Publishing, a successful boutique company which she runs with her husband Ian Brownlee in Katoomba in the Blue Mountains west of Sydney.

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Damien Milan

Damien Milan

Thank you for stopping by. I see myself as a dreamer and nomad at heart. I never really planned to become a photographer. My interest for photography grew from an incessant thirst for discovering new places and cultures. The beautiful complexity between people, emotions and places always fascinated me. Although I grew up in Belgium, I moved to Australia in 2007 and today I feel very lucky to call Katoomba my home with my wife Nastia who is a mural artist, our gorgeous daughter Mia and our cat Frida. As my relatives all live in Belgium, we take this opportunity to regularly travel to Europe during summer time to see them and also photograph a limited number of destination weddings. I love that weddings allow me to have a peek into people’s life for one day. I find it incredibly rewarding to be trusted to tell people's story on one of the most important days of their life. My work can be described as raw, cinematic, emotive and timeless. When documenting people's stories, I like to take the back seat and play the role of a quiet observer. Light is the core of my work and I am always up for experimenting with it in an intentional and artful way. All my photography packages include 35 mm film coverage as I love how film helps me to capture images in a more intentional way and I find the analog process very meditative. It pushes my creative boundaries and the beautiful imperfections of film suit the timeless nature of my work. Alongside weddings I also shoot elopements and after recently becoming a dad myself I started taking bookings for short family sessions in the Blue Mountains.

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Claudia Iacovella

Claudia Iacovella

Hi, I'm Claudia, a dedicated design professional and graphic designer with a deep affinity for the world of print and a commitment to accessibility in design. For over 25 years, I've immersed myself in the art of print design, transforming information into visually engaging stories. My niche lies in crafting comprehensive reports and ensuring consistency through well-crafted style guides. My specialisations are: - Report Design: I thrive on translating complex data and information into visually compelling reports that captivate and inform. - Style Guides: I'm meticulous about creating style guides that maintain design consistency and quality across all your materials. - PDF Accessibility: I specialise in transforming standard PDFs into accessible ones, making information universally available. - WCAG 2.0: I'm well-versed in Web Content Accessibility Guidelines (WCAG 2.0) and apply these principles to create user-friendly, barrier-free designs. Advocacy: I believe that well-designed reports and adherence to style guides not only convey information effectively but also elevate the perception of your brand or message. Design should also be a tool for empowerment and inclusion. I advocate for accessible design practices, pushing for a world where everyone can access and appreciate visual content effortlessly. Feel free to reach out for design collaborations, report projects, or discussions about the importance accessibility in design. Email: info@claudesign.com.au Phone: + 61 417 073 383 Web: claudesign.com.au

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Design in the Blue Mountains is as diverse as the region itself — spanning graphic communication, spatial design, product development, branding and beyond. MTNS MADE designers bring professional rigour and creative thinking to projects of all scales.

You'll find graphic designers, industrial designers, interior designers, UX and digital designers, brand strategists, and set and exhibition designers in the directory — many working independently or as part of small creative studios.

Blue Mountains designers often bring a strong sense of place and material sensitivity to their work, informed by the landscape and community around them. Many collaborate across disciplines — working alongside architects, artists, makers and cultural organisations.

Whether you need a brand identity, spatial concept, publication design or product prototype, the MTNS MADE directory connects you with designers who combine skill, intention and creative integrity.

ACKNOWLEDGMENT OF NGURRA

The City of the Blue Mountains is located within the Ngurra (Country) of the Dharug and Gundungurra peoples. MTNS MADE recognises that Dharug and Gundungurra Traditional Owners have a continuous and deep connection to their Country and that this is of great cultural significance to Aboriginal people, both locally and in the region. For Dharug and Gundungurra People, Ngurra takes in everything within the physical, cultural and spiritual landscape – landforms, waters, air, trees, rocks, plants, animals, foods, medicines, minerals, stories and special places. It includes cultural practice, kinship, knowledge, songs, stories and art, as well as spiritual beings, and people: past, present and future. Blue Mountains City Council pays respect to Elders past and present while recognising the strength, capacity and resilience of past and present Aboriginal and Torres Strait Islander people in the Blue Mountains region.

MTNS MADE is proudly delivered by Blue Mountains City Council