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Podcasting

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Text Editing

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Journalism

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Proofreading

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Technical Writing

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Copywriting

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Poetry

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Creative Writing

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Claudia Iacovella

Claudia Iacovella

Hi, I'm Claudia, a dedicated design professional and graphic designer with a deep affinity for the world of print and a commitment to accessibility in design. For over 25 years, I've immersed myself in the art of print design, transforming information into visually engaging stories. My niche lies in crafting comprehensive reports and ensuring consistency through well-crafted style guides. My specialisations are: - Report Design: I thrive on translating complex data and information into visually compelling reports that captivate and inform. - Style Guides: I'm meticulous about creating style guides that maintain design consistency and quality across all your materials. - PDF Accessibility: I specialise in transforming standard PDFs into accessible ones, making information universally available. - WCAG 2.0: I'm well-versed in Web Content Accessibility Guidelines (WCAG 2.0) and apply these principles to create user-friendly, barrier-free designs. Advocacy: I believe that well-designed reports and adherence to style guides not only convey information effectively but also elevate the perception of your brand or message. Design should also be a tool for empowerment and inclusion. I advocate for accessible design practices, pushing for a world where everyone can access and appreciate visual content effortlessly. Feel free to reach out for design collaborations, report projects, or discussions about the importance accessibility in design. Email: info@claudesign.com.au Phone: + 61 417 073 383 Web: claudesign.com.au

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Claude Williamson

Claude Williamson

Wardrobe styling is my favourite activity. I love playing with clothes and collaborating to actualise a vision. As a stylist I prioritise client comfortability, director's vision and sustainability. Our current fashion industry is rife with waste, toxic attitudes and a focus on perfection. My professional practice aims to rewrite this and shift focus back onto the individual and highlighting creativity rather than perfection. To do so, I exclusively source from sustainable practitioners. I thrift, loan vintage, collaborate with local designers and upcycle pieces. This also allows me to be inclusive of a wide range of budgets, making my services accessible to anyone. I primarily work on shoots, whether it be fashion editorials, personal marketing campaigns or commercials, I am ready to be your portable stylist. I also have experience and love working on performance looks. In terms of client communication, I prefer to have 1-2 meetings prior to shoot/performance day to ensure goals are met and there is enough time to make the necessary adjustments. Depending on the job, one of these meetings will include a fitting or test run of the look and any other communication can be done in person or online. Each job is different and I am committed to tailoring my practice to best suit your needs. Please reach out if you have any questions, I am always happy to talk clothes :) Creative direction and fashion styling usually go hand in hand, however I am open to and love the role of creative direction as my sole purpose. In this role, I conceptualise ideas, manage the team, make all creative decisions for a project and generally lead projects from concept to completion. I love to be in charge and I love to collaborate. My process for CD is similar to styling, with a focus on client comfortability, director's vision and sustainability. However I also manage the team/project and tailor my practice to suit. Photography for me was born out of the desire to capture my looks in the way that I want. I shoot on a cannon digital and vintage digital. I love bts photography and capturing a more candid aesthetic. I am more recently exploring portrait and nature photography, but my main passion lies in fashion and music.

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Kevina-Jo Smith

Kevina-Jo Smith

Kevina-Jo Smith resides in the Blue Mountains, a place which sustains and inspires her. After many years of travelling, she chose to anchor herself here. Smith collects and reuses consumer by-product materials from which her artwork emerges. Each piece is intricate, and time consuming to create: a heavy practical span of hand-knitting, knotting and weaving. Her process is a tribute to the natural world and a ritual against destruction. Kevina’s current investigation also involves responding to her recent personal changes and challenges as well as the collective environmental changes faced in the mountains and the renewal that has taken place both personally and collectively. Whether it be through a large wall hanging, a framed woven piece, or a constructed item of furniture, she is weaving the stories of her space and memory through the work whilst utilising found and recycled materials as a statement of her ideas of how we can move forward as a community, caring for our land. “These works are both typical of my previous work, but also entirely new and ordered. They are full of symbolism, meant only for myself and those who are meant to see into it. My artwork is a reflective way of meditating and processing, passing on any insight to others who might need it too”. Aesthetically, their work is complimentary in the space with a similar pastel palette, utilising blues as a tool to link in with themes of water/rain/veils/ memories. They both weave ideas visually through layers of colour. Combined their work has a strong story to tell, creating an immersive space that the viewer can weave themselves through.

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Corinne Loxton

Corinne Loxton

For the past 30 years Corinne Loxton has practiced as a visual artist, painting ethereal and dramatic land and skyscapes that reflect her deep connection with nature as a place of spiritual encounter. More than simply pictures of places or natural phenomena, her works evoke experiences of wonder, longing and consolation. Corinne’s work explores the intimate relationship she has with the landscape of the Blue Mountains, where she lives and works. The trees and rocks standing sentinel, the shifting light and colour, the clouds building or dispersing – these are the characters in her paintings that speak metaphorically about the universal human conditions of loss and love, grief and joy, despair and hope. Corinne Loxton has received several awards, most notably the Elioth Gruner Art Prize awarded by the Art Gallery of NSW (1999), and a Residency at La Cité Internationale des Arts in Paris (2000). In 2014 she was selected as a finalist in the NSW Parliament Plein Air Art Prize and exhibited in NSW Parliament House. In addition, she is an experienced public speaker, having presented at many exhibitions and conferences and most notably at the TEDx Katoomba in 2023, where she spoke on Connecting with Creative Flow. Currently living and working in the Blue Mountains, Corinne has travelled and exhibited widely. Recent solo shows include Into the Desert, Paintings from the MacDonnell Ranges, Stella Downer Fine Art (2024), Colours of the Country, Everglades Gallery, Leura (2024), Evoking the Elements, Laussade Studio, Melbourne, (2024), Passages, Paintings from the Warrumbungles and Closer to Home, Stella Downer Fine Art (2023), Into & Beyond, Blaxland Gallery & Studios (2023), Spirit of Place, Braemar Gallery Springwood (2022), Lagoon Landscapes, Rex-Livingston Art & Objects, Katoomba (2018), The Elements, Emma's Cottage Vineyard Gallery, Hunter Valley (2017) and in 2016 Elemental Elegance, The Laussade Studio, Melbourne, and Land, Sea and Sky, Manyung Gallery Group, Malvern, Melbourne. Corinne’s paintings, workshops, blog and full CV can be viewed on her website.

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Anthony Albrecht

Anthony Albrecht

With an international performance and production career, Anthony Albrecht has developed a reputation as an impresario of world-class events characterised by generosity, outreach and connection to issues of social justice, conservation and sustainability. He is co-founder and CEO of the Bowerbird Collective, an organisation devoted to forging stronger connections to the natural world through the arts. With Bowerbird, Anthony has co-produced numerous award-winning multimedia productions, described as "spectacular" by Limelight Magazine, and self-presented and performed in hundreds of events throughout regional Australia. In 2021 and 2022, their albums of endangered bird and frog calls, 'Songs of Disappearance', beat ABBA, Ed Sheeran and Adele on the ARIA charts. A musician known for his “dramatic flair” and “fluent and virtuosic” performances (Seen and Heard International, Sydney Morning Herald), he has frequently appeared with Pinchgut Opera, Van Diemen's Band, the Australian Romantic & Classical Orchestra, the Australian Haydn Ensemble, il Pomo d’Oro and New Vintage Baroque (NYC). Solo engagements include an appearance in the woods of East Sussex as a guest of Sam Lee’s ‘Singing with Nightingales’ project, a recital at the Handel and Hendrix House in London, a performance of Haydn’s Concerto in D at the Newcastle Music Festival, and as concerto soloist with Adelaide Baroque. Committed to musical outreach, Anthony self-produced a solo tour of over 80 concerts in regional Australia called ‘Bach to the Bush’. He is founder and director of three regional festivals, the Lapwing Music Festival in the UK, the Moonbird Festival on King Island, TAS, and the Lyrebird Festival in the Megalong Valley, NSW. Anthony was the first Australian graduate of The Juilliard School’s Historical Performance program, earning a Master of Music on full scholarship in 2014. To develop his arts business and management skills, he earned an MBA in 2022.

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Jonathon  Nelson

Jonathon Nelson

Jonathon Nelson is a furniture designer, craftsman, and events photographer based in the Blue Mountains, NSW. His practice centres on creating bespoke timber works that blend traditional woodworking techniques with contemporary aesthetics, often using reclaimed or locally sourced timbers to highlight the natural grain, texture, and unique character of each piece. Working across furniture making, custom framing, and carpentry, Jonathon is known for his refined simplicity and meticulous attention to detail. His designs, ranging from sculptural objects to functional joinery, reflect a strong commitment to sustainability and a deep respect for natural materials. In 2023, Jonathon collaborated with textile artist Kevina-Jo Smith on Climbing and Falling Through Light at Day Gallery, Blackheath. The immersive installation, featuring upcycled mixed media and handcrafted timber structures, explored memory, materiality, and environmental consciousness. The project exemplified Jonathon’s ability to integrate craftsmanship into broader artistic and conceptual narratives. Alongside his design practice, Jonathon is also an experienced events photographer, documenting exhibitions, performances, and community gatherings across the region. His photography, like his woodworking, is marked by quiet observation, strong composition, and an intuitive understanding of space and form. Through both making and documenting, Jonathon Nelson continues to contribute to the cultural life of the Blue Mountains, creating work that is at once grounded, thoughtful, and enduring.

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Tim K Jones

Tim K Jones

Mount Victoria based multimedia artist whose practice explores concepts focusing on perception, technology, humanity and nature. My artwork aims to create evocative spaces using a 2.5D relief sculpture layering technique. My formal studies include a Bachelor of Arts (Fine Art) and Post-graduate Dip Ed (Art & English) from Curtin University. Exhibiting since 1981 my work has been accepted for numerous group exhibitions including the Rick Amor Drawing Prize, National Art Gallery of Ballarat; Gallipoli Art Prize, Gascoyne Arts Prize (2021 runner up) and Blue Mountains City Art Gallery. In 2016 I held solo exhibitions at GalleryONE88 before becoming a partner in the Gallery Blackheath, an artist run cooperative – now closed due to COVID. As a longstanding committee member (former President) of the Mount Victoria Museum, I’ve helped stage and participated in several successful collaborative exhibitions with leading Blue Mountains contemporary art groups (Birdland2 with SLAB cooperative and Black & Blue 2 Blume Illustrated at BM Cultural Centre). Through the museum, I’ve successfully developed/project led several exhibitions including the award winning (MG&NSW Highly Commended) 150th of Railway to Mount Victoria. For the Mt Vic 150th I produced an animated historic photo projection and an oral history touchscreen system. Pop up 150th railway exhibitions for Bowenfels (Lithgow) and Blackheath were also successfully staged. My design work included graphic files for large format print banners, one of which is permanently displayed at Blackheath railway station. As an active management committee member of the Greater Blue Mountains Creative Arts Network, performing the company secretary role (former acting treasurer), I have experience with the logistics for developing and producing group art projects. GBMCAN aims to encourage the building of a stronger arts community across the Greater Blue Mountains by fostering member driven initiatives and building partnerships with other arts organisations and businesses.

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Silvana Franze

Silvana Franze

Run with the help of my Italian born mother*, our cooking classes give an insight into our southern Italian traditions which focus on food and family. Expect to immerse yourself in how we live – lots of fresh food (including homegrown) prepared in simple quick ways yet so full of flavour, you'll want to come back for more. Classes range from different types of pasta, sauces, baked food, bread and more. Best of all our classes are hands-on and relaxed so everyone gets to have some fun, and they are suitable for most ages from 8+. In fact, in a family group, children as young as 5 have followed along, happy to copy their older siblings. All our meals include a range of our typical foods from Calabria and Sicily and cater to both meat and vegetarian diets, with vegan inclusions on request - our pasta is made from flour and water only. We also run Special Occasion Events such as our Ferragosto Lunch. You have the option to join others, or you may book your private group. Either way, it's not uncommon for participants to arrive as strangers and leave as family. That's what they tell us! They love the hands-on aspect of the class and the sharing of a meal around the table, a long standing custom throughout Italy. The expression "long lunch" does not necessarily mean a long table but rather a leisurely amount of time to savour the home-cooked meal, share the day's experiences and generally spend time together. What better way to leave your usual routine behind than with such a memorable experience? It’s all about experiencing the Italian laid back way of life, enjoying good food and great company. *It's a real family affair, as sometimes my sister or my daughter give me a hand. Participants love the three generations' involvement, something I take for granted. So it's a treasure to share our hospitality with you. We look forward to meeting you.

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ACKNOWLEDGMENT OF NGURRA

The City of the Blue Mountains is located within the Ngurra (Country) of the Dharug and Gundungurra peoples. MTNS MADE recognises that Dharug and Gundungurra Traditional Owners have a continuous and deep connection to their Country and that this is of great cultural significance to Aboriginal people, both locally and in the region. For Dharug and Gundungurra People, Ngurra takes in everything within the physical, cultural and spiritual landscape – landforms, waters, air, trees, rocks, plants, animals, foods, medicines, minerals, stories and special places. It includes cultural practice, kinship, knowledge, songs, stories and art, as well as spiritual beings, and people: past, present and future. Blue Mountains City Council pays respect to Elders past and present while recognising the strength, capacity and resilience of past and present Aboriginal and Torres Strait Islander people in the Blue Mountains region.

MTNS MADE is proudly delivered by Blue Mountains City Council