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Daniel Lopez Lomeli

Daniel Lopez Lomeli

Daniel López Lomelí is a multidisciplinary artist born in Mexico City and currently based in the Blue Mountains, Australia. With a background in architecture, the space where he first witnessed the vast scale of material waste, particularly plastics. Fascinated by their overlooked potential, he began collecting discarded polymers such as polyethylene terephthalate amongst many others to transform into sculptural works that question our relationship to plastic and its perceived disposability. In his hands, plastic becomes something dynamic: a gesture frozen in time, shaped through controlled heat and fire into forms that mimic weighty materials or emphasize the raw honesty of transformation. Central to his practice is a reverence for material memory and a deepening sense of ecological interconnectedness. Drawing from the Japanese concept of Kodama—spirits that inhabit trees, forests, and mountains—López Lomelí expands the idea to include plastic: an omnipresent material born of fossilized life, decayed over millennia, now shaping the rhythms of our daily existence. His sculptures embody what Donna Haraway terms the "Chthulucene"—a call for more curious, caring, and creative ways of living within our damaged world. Imbalance, for López Lomelí, is truthful. His asymmetrical forms celebrate imperfection as a form of equilibrium, reflecting a belief that we relate most deeply to the flawed, the broken, and the unfinished. Through these works, he invites viewers to reconsider value, origin, and agency—not as fixed, but as ever-evolving. Working across sculpture, installation, projection, and collective making, his recent projects investigate themes of transformation, identity, and time. In 2024, he was awarded the Casula Powerhouse Scholarship, which includes a forthcoming exhibition integrating his sculptural language with the site’s architecture.

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Craft is thriving in the Blue Mountains — not just as a set of techniques, but as a way of seeing, making and connecting. MTNS MADE craftspeople are keeping traditions alive while pushing their practices into exciting new territory.

You'll find ceramicists, weavers, woodworkers, embroiderers, and multidisciplinary makers in the directory — many of whom combine inherited techniques with bold, contemporary forms.

Craft in this region is deeply place-based. Artists often draw on the local landscape for colour, material or concept. Some run studios, offer workshops or participate in group exhibitions and local markets. Others focus on studio practice, gallery sales or private commissions.

Whether you're looking to commission a custom piece, collaborate on an installation, or source one-of-a-kind work for a collection or retail space, MTNS MADE craftspeople offer exceptional skill, creative thinking and care in every piece.

ACKNOWLEDGMENT OF NGURRA

The City of the Blue Mountains is located within the Ngurra (Country) of the Dharug and Gundungurra peoples. MTNS MADE recognises that Dharug and Gundungurra Traditional Owners have a continuous and deep connection to their Country and that this is of great cultural significance to Aboriginal people, both locally and in the region. For Dharug and Gundungurra People, Ngurra takes in everything within the physical, cultural and spiritual landscape – landforms, waters, air, trees, rocks, plants, animals, foods, medicines, minerals, stories and special places. It includes cultural practice, kinship, knowledge, songs, stories and art, as well as spiritual beings, and people: past, present and future. Blue Mountains City Council pays respect to Elders past and present while recognising the strength, capacity and resilience of past and present Aboriginal and Torres Strait Islander people in the Blue Mountains region.

MTNS MADE is proudly delivered by Blue Mountains City Council